at the end of each fragment are to be applied to the next fragment.
#CACTUS MUSIC ALEATORIC JOHN CAGE SERIAL#
The performer may begin with any fragment, and continue to any other, proceeding through the labyrinth until a fragment has been reached for the third time, when the performance ends. John Cage's aleatory experiments undoubtedly have the preposterously erratic ring of twelve-tone serial music, but compared with atonality, Cagean noise has. Klavierstück XI consists of 19 fragments spread over a single, large page.Klavierstück XI - Karlheinz Stockhausen - 1955 Each performer plays a measure for as long as they want and then goes onto the next one.Transfer of the phase shifting processes he explored in tape pieces like It’s gonna Rain to live instrumental performance Open Form In C - Terry Riley - 1964 After playing in synchronization for a while, the second performer again begins increasing his tempo, and the phase shifting process starts again (bars 3–4).
The other performer gradually increases his tempo, until he is one note ahead of the first performer (bar 3) It consisted of recording oscillatory frequencies on two 78rpm gramophone records (Brindle 99). 1 (1939) was one of the first Markham 6 written in the electronic genre.
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